First up, I just need to get something off my chest: JCVD is awesome! If you don’t read any further I want you to know that.
Ok, so why? You might think that I’m indulging some romanticism for action flicks watched in my teens? Yeah ok, I buy that. The allure of seeing the eponymous Jean-Claude Van Damme in a film, seemingly possessed of depth we wouldn’t expect from him, paid off with probably the most satisfying and interesting performance we might ever get from him. Who knows, maybe he’ll find his third act resurgence a la Bill Murray? Whatever the case this self reflective film from Belgian filmmaker Mabrouk El Mechri captures the long since faded glow of celebrity with keenly ironic eye whilst retaining considerable warmth for its beaten down protagonist.
Opening with a typical Van Damme action sequence El Mechri makes his intentions clear right off the mark, going meta with his film-within-a-film approach. We see Van Damme complaining to a young director about the difficulty of shooting long single takes at his age and is met with cold disdain. The director firmly places Van Damme’s cinematic clout in the past stating that just because “he brought John Woo to Hollywood” doesn’t mean that he holds any cinematic capital on this set. And although the above line of dialogue is purposefully repeated later in the film by other characters, in a positive way, it is apparent that Van Damme’s star has waned. Read the rest of this entry »






















