Taut and gripping, Harry Potter and the Deathly Hallows Pt1 (hereafter: DH1), first half of the cinematic finale of the Harry Potter saga, evidences an on form director in Potter third timer David Yates. Yates artfully compresses the plethora of story elements with a clear editorial eye whilst remaining faithful to the intent and tone of J.K. Rowling’s final Potter book. Not as easy as it sounds, and an achievement that applies to perhaps only half of the films.
The opening scenes of DH1 find Harry and friends in an England that has fallen, once more, under the control of Lord Voldemort. Fear reigns; old prejudices are enflamed. No longer is Hogwarts the safe haven it has always been: Voldemort’s Death Eaters openly fill staff positions and Dumbledore’s killer Severus Snape sits atop the headmaster’s chair. Complex plans are afoot to help Harry escape from an increasingly frustrated Voldermort and the trio finally breakaway from the safe confines of school, friends and family, setting off to accomplish the ‘fate of the world’ task that Dumbledore has left for them. Only, things aren’t quite as straightforward as our young protagonists would hope and they spend much of their secret mission in hiding, grasping for the tiniest clue which might help guide them to the evil they’re hunting. Top this off with the problem of how to destroy each piece of their quarry before it destroys them and you can see that things are looking pretty grim. Read the rest of this entry »





